News:
Finally out, after 6 years of work: a textbook with Oxford Press, co-authored with Erna Fiorentini, called Visual Worlds.
The opening pages of my novel are now online with Place (lierary magazine in Brussels). More on the novel here.
Also in 2020: my summary of the state of art writing around the world, called The Impending Single History of Art: North Atlantic Art History and its Alternatives. To be published by de Gruyter.
Please use the contact form to schedule lectures, studio visits, or seminars. See Lectures page for my travel schedule.
Latest uploads:
The book Why Are Our Pictures Puzzles?; the book How to Use Your Eyes; and an essay on the complicity between torture and formal analysis. (There is also a website with reviews of contemporary piano music.)
Live Writing Projects:
I am experimenting with writing live on the internet. These texts update live, and you can contribute to them & be thanked when the book is published. (1) What is Interesting Writing in Art History?, (2) Writing with Images. Thanks everyone for contributing!
A project for two books—or two sets of class notes—on writing that uses images. The first project is about art history, and the second is on novels and experimental writing.
A large book project on the visual world in art, science, and visual theory.
A sketch for an ideal textbook of modern and postmodern art, and why it can't be written.
An essay on the reasons why it is difficult to write about modern art outside the traditional trajectories (Europe, North America, the North Atlantic).
A book project on the spread of North American- and western European-style art history around the world, and on the impossibility of writing a history of world modernisms.
A short text on the fact that English is art history's lingua franca, and how that limits scholars worldwide.