I will be in Montreal, Paris, Santa Fe, and Los Angeles this winter and spring. Please use the contact form to schedule a lecture, or if you'd like details. (Updated February 6, 2016.)
I am still lecturing and teaching, but I am no longer writing books of art history: here's why. Latest texts on this site: the book Why Are Our Pictures Puzzles?; the book How to Use Your Eyes; and an essay on the complicity between torture and formal analysis. (There is also a website with reviews of contemporary piano music.)
Live Writing Projects:
I am experimenting with writing live on the internet. These texts update live, and you can contribute to them & be thanked when the book is published. (1) What is Interesting Writing in Art History?, (2) Writing with Images. Other live writing projects are finished: Visual Worlds, and The Impending Single History of Art. Thanks everyone for contributing!
The idea of close reading is fundamental in art history and literary criticism. This essay is about the coherence of the idea in art history and in some archaeology.
Art Criticism (an encyclopedia entry, written for the Grove Dictionary of Art, and interestingly censored by them). It's a survey of major theories of art criticism.
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