James Elkins

James Elkins

After 19 years of work, my experimental novel called Five Strange Languages is being published by Unnamed Press. It’s a large, complex project in five volumes. Lots more information here (scroll down).

I’m posting weekly contests on social media. Anyone who can guess the hidden allusions gets a free copy. Test your literary knowledge! Here is a list of contests that are currently open. If you can identify one, email me for your copy.

I have uploaded 75 short videos on art theory to Youtube. These are for art students. They cover media, politics, gender, the sublime, skill, formal analysis, craft, time, narrative, Eurocentrism, style, research, the body… lots of subjects.

[Updated March 2025. Pages with information about the novel update live.]

Recent uploads: the books Pictures and Tears, Why Are Our Pictures Puzzles?, How to Use Your Eyes, and an essay on the complicity between torture and formal analysis. Another entire book free, on Academia: What is Interesting Writing in Art History? It’s on ways to write experimental art history.

This is a brief response to a really strange suggestion: that the Upper Paleolithic “Venus” figurines are self-portraits. An odd moment in the historiography of feminism, anthropology, and self-portraiture. Only my reply is posted here: if you’re interested you should look up the original article and all the other replies.

Here’s the entire essay, originally published as a reply to LeRoy McDermott, “Self–Representation in Upper Paleolithic Female Figurines,” in Current Anthropology 37 no. 2 (1996): 255–58.

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